Just a quick update to report that next week I’m going to be appearing as a panellist at the inaugural debate of The Information Project. This is a new initiative, organised by local Crystal Palace residents – in particular those behind the brilliant Overground Festival – intended to spark debate around the proposed redevelopment of Crystal Palace Park by the Zhongrong Group.
The first debate is entitled ‘Who Owns Culture? Park, Space, Building’, and will take place at 7.30pm next Wednesday (30th April) at The Salvation Army, Upper Norwood. I’m really looking forward to taking part, not least as my own feelings about the redevelopment are very ambivalent, and this gives me a great excuse to try to get my thoughts in order.
In other news, the Kindle editions of both of my novels – So Long, Shakespeare, and the Crystal Palace Park-based railway fantasy Strange Air – have been reduced to 99p on Amazon for a very limited time.
As ever, I’m not blogging as much as I’d like at present. The day job is exceptionally busy, and I’m spending any spare time preparing the plan for a third novel – while continuing to promote the first and second.
As I explained at my self-publishing talk at Upper Norwood Library on 25th January (thanks again to the amazing library staff for inviting me), my current tactic for the latter involves disciplining myself to blog a little less – instead spending time reaching out to others who have shared interests, and potentially bigger platforms than my WordPress and Twitter audiences.
It’s an approach which I explain in more detail in a chat I recently had with a local Crystal Palace editor called Danielle Wrate – and which has just been published on her excellent website.
(1) A review on local website Inside Croydon
(2) The podcast of my appearance on Croydon Radio’s Arts Show, with Janet Smith
(3) A little thinkpiece I wrote for Bromley News Shopper about the proposed reconstruction of Crystal Palace Park by the Chinese investor Mr Ni Zhaoxing and his ZhongRong Group.
(4) A post I wrote for the wonderful local blog Dulwich OnView about how the roots of Strange Air – though telling the tale of Crystal Palace Park and Thomas Webster Rammell’s pneumatic railways – in fact lie in the deserted Crescent Wood and Paxton Tunnels, in and around Sydenham Hill
Finally, I’m delighted to say that the book is also now available via the Crystal Palace Foundation - the result of delicate negotiations, which absolutely does not mean that Foundation endorses my novel’s supposition that a bunch of aggrieved Victorian skeletons lurk beneath Crystal Palace Park, trapped in an abandoned Victorian railway carriage . . .
Just a fleeting update to say that I’ll be appearing at Upper Norwood Library this coming Saturday, 25th January, to talk about my experiences of self-publishing – covering the publication of both So Long, Shakespeare and Strange Air, and also offering a few reflections/tips on the process for any aspiring authors.
I’ve been preparing the talk this evening, and am really looking forward to delivering it – even if it has proved worryingly difficult to remember some of the ins-and-outs of my decision-making over the last year!
The talk starts at 2.30pm, and is free to attend. Full details are available over on the Upper Norwood Library website.
I’ve been looking for this for years – and now, perhaps somewhat naughtily but nonetheless delightfully, a fellow fan has taken the trouble of putting it up on YouTube.
This is ‘Listening to the River’ – a 30-minute ‘oral history’ of the River Medway in Kent, recorded and composed by one of my favourite folkies, Chris Wood. It was commissioned for Radio 3′s Late Junction a few years ago. I missed it at the time, but later caught Chris performing an excerpt at King’s Place in London.
The clip alone blew me away. As described here, the aim of the piece is to show how England’s indigenous music is intertwined with the rhythms and melodies of its people’s speech – dialects and all. And in a brilliant musical fusion of form and meaning, that’s exactly what it does.
I remember reading somewhere that Chris is working on a longer/revised version, for possible CD release in the future. If that’s still the case, then I look forward to the results with great anticipation.
The last week has been predictably crazy in the run-up to Christmas – making this a rather belated post to say a great big thank you to all who came along to Upper Norwood Library last Saturday (14th December) to hear me talk about Strange Air.
I was really touched by the size of the turnout, as well as the enthusiasm of all who attended – both those who had read the book already, and those who were looking forward to getting stuck in over Christmas. After so many years of solitude spent researching, planning and writing the book – all based on the hope that others might be interested in Thomas Webster Rammell and the history of Crystal Palace Park – it was immensely gratifying to discover to have my hunch confirmed at last. Biggest thanks of all go to Rita, Carol and the rest of the team at Upper Norwood Library for being so immensely welcoming and setting up the whole event.
All being well, I’ll be appearing again at the library early in the new year to talk in more detail about the process of self-publishing, and exactly what’s involved for a go-it-alone author like me.
In what has unintentionally turned into something of a pre-Christmas promotional
gentle trot marathon, I’m just putting the finishing touches to a talk I’ll be giving at Upper Norwood Joint Library next Saturday (14th Dec) from 2.30pm.
I’ll be discussing the the process of writing Strange Air, and taking questions on any of the subjects that arise – whether the history of Crystal Palace Park, Thomas Webster Rammell and the pneumatic railway experiments of the mid-19th century, or the research and writing process itself. The library is a wonderful (and in many ways unique) hive of local activity, and I’m really touched that they’ve asked me along. Entry is free but spaces are limited, so the library is advising people to arrive promptly for the talk.
Last week I had a great time appearing on Janet Smith’s Arts Show on Croydon Radio, discussing much the same. The podcast is available now.
It’s been a long time since I posted anything here – an inadvertent hiatus caused by having to move house (damn my returning landlord!), an overflow of activity at work and, chiefly, promotional efforts associated with my new book, Strange Air.
The latter have been going terrifically well, and the Kindle edition has been flying off the electronic shelves, with a fair few paperbacks following in its wake. The whole enterprise has been massively helped by the news that Chinese developers ZhongRong Holdings are proposing to re-build the Crystal Palace in its original form and location – an out-of-the-blue endeavour which, as those who’ve read it will know, couldn’t be any more relevant to my novel. The rights and wrongs of their proposals have provoked passionate debate in Crystal Palace, and I have personally reacted with a complex mix of enthusiasm, intrigue and dread.
On the one hand, what could be better than having the Palace back at the heart of the suburb which sprang up around it, and gave the area its unique grandeur? The park needs some kind of regeneration, and with the actual site of the Palace largely unused at present, it’s difficult to mount a convincing argument about loss of green space – especially since the development is intended to bankroll existing plans to redevelop the rest of the park.
But on the other hand, what on earth are the developers (and Boris) thinking? Although superficially appealing, the idea of going back to old glories could easily be considered anathema to the core Palace principle. While admittedly crammed full of replicas of ancient artefacts, the original building was nonetheless a forward-looking enterprise: inspired by imperial exploration, and intent on expanding its visitors’ minds by bringing the fruits of those excursions back home. In short, the place was progressive, so why regress by rebuilding it?
And then there are the knotty practical arguments – how can a space that big not be essentially and intensively commercial? – regarding which we need to ask if the greater economic pay-off is worth the disruption caused to what is currently a proudly independent suburb?
Clearly, the sensible thing to do is wait until the detail of the proposals emerges, whereupon the consultation process can begin in earnest. But therein lies the biggest fear: that with the mayoral and municipal winds in their sails, the developers will be ushered through due process without the right questions being asked at the right time.
Who can say? For now, at least, the best way to experience the Crystal Palace as it was remains – he says with a marketer’s smile – to read my book. Below are a few links to articles and reviews that have appeared over the last couple of months, collected here as much to aid my memory as anything else.
(1) Lovely review from the Londonist, in which the editor Matt Brown remarks: ‘What a peculiar and wonderful novel Strange Air is . . . a true page-turner, whose ultimate outcome is as unpredictable as a blindfolded interchange at Earl’s Court.’
(2) A piece I wrote about the gestation of the novel for Inside Croydon
(4) A beautiful piece from local blogger James Balston about the magic of Crystal Palace Park, containing his fantastically atmospheric photography and a few kind words about the book
(5) A nice mention in Guardian blogger Dave Hill’s ruminations on the Chinese plans to rebuild the Crystal Palace
(6) An enthusiastic review from the website Fictional Cities, a charming site devoted to fiction about London, Florence and Venice
(7) A slightly lukewarm – and spoilertastic! – review from London blogger IanVisits